HISTORY OF HOMEWARD PRESS
I started Homeward Press in 1980 because I wanted more control over my own work, and I also wanted to publish other writers who were working in similar veins.
I learned publishing mainly from working in collective groups. Toward Revolutionary Art, Working Peoples Artists, Cloud House, and Poetry for the People were all collectives I worked in that published chapbooks, magazines, and broadsides. Mutual aid and self-help is how innumerable poets, writers, and artists have always gotten their work out.
Over the following years I put out Homeward Press books.
My first Homeward Press publication was History of Work Cooperation in America (1980: ISBN 0-938392-00-X). Two years later I published a companion volume, History of Collectivity in the San Francisco Bay Area (1982: ISBN 0-938392-01-8).
These turned out to be precursors to my book For All The People: Uncovering the Hidden History of Cooperation, Cooperative Movements and Communalism in America (PM Press, 2009; 2nd edition 2012: ISBN: 978-1-60486-582-0).
In 1982 I branched into poetry. My first Homeward Press poetry chapbook was a collection of my own work, Tidal News (1982: ISBN 0-938392-02-6).
That same year I published Bill Herron‘s Rivers in Which Men Drown (1982: ISBN 0-938392-07-7).
In 1984 I put out Art Goodtime‘s Embracing the Earth (ISBN 0-938-392-04-2).
My next publication was The Last Night in New York by Janet Cannon (ISBN 0-938392-06-9). The following year saw Everything I Told You Before Was A Lie But This Is The Truth, by Susu Jeffrey (1985: ISBN 0-938392-05-0).
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After that I backed off further publishing as Homeward Press until a friend at Inkworks collective print shop in Berkeley approached me about doing a joint publication of my Columbus In The Bay of Pigs (1991: 0-938392-10-7)
Since I was becoming successful in publishing my work through more established presses, that was my last Homeward Press publication for over 20 years.
In 2012 I decided to bring out my collected poetry and, since I wanted to present my work in my own way, I decided to resuscitate Homeward Press to do it. The result was Revolutionary Alchemy (2012: ISBN 13: 978-061570-4142).
Since then I put out a novel, The Co-op Conspiracy (2014: ISBN 13-978-1499750607), the poetry/philosophy book Yoga Sutras of Fidel Castro (2014: ISBN-13-978-1501031991), and my new novel, The Outlaws of Maroon (2019: ISBN-978-0-938392-04-0).
JOHN CURL, publisher.
“I think I can say a few words about what makes American poetry tick, and by way of that indicate the importance of this book and John Curl in the pantheon of revolutionary poets. Curl’s signature achievement linguistically, it seems to me, is to have developed a language where lines of images often are contrary to one another and that friction or opposition does more than “surrealize” the lines… what he is writing is often a poetry of dialectical motion itself. Curl succeeds in so many poems and in so many imaginings in this book that one realizes that Revolutionary Alchemy is a book of major importance. John Curl has earned a place—with this book of poems—among the foremost revolutionary American poets since the end of WW2.”
Jack Hirschman, Poet Laureate emeritus of San Francisco
“John Curl’s Revolutionary Alchemy is a magnificent account of a radical poet’s work, the lifetime of poems, the inner story of an important generation, its psyche, the history. What deep and meaningful pleasure to read this alchemy, mix of love with the bombs.
Sharon Doubiago, author of Hard Country, Love on the Streets, My Father’s Love
“The procreative force, the cosmic sensibility, the oracular insight Curl brings to the reader is constantly astonishing. His poems in Insurrection/Resurrection, and these poems help define and give rise to a verse of the surreal poetarian vision of the left. Here unrealism attempts to seize and transform imperialist reality. Curl writes like the lead miner in a pit crew. As such, he is already a major young poet on the people’s side. There is not a thing to be bought off in his poems, there is only the amazement of truth.”
Art Goodtimes, Poet Laureate of the Western Slope
“A Master Poet who uses language in a remarkable, innovative way, he gives us information on contradictions in the evolving state of human consciousness. The tensile lines of these poems are a strong loom holding the strength of an interwoven theme of Social Justice making deliberate design through the poet’s understanding of actions and attitudes. John Curl shows us the undersides of clouds and cultures but also shows immutable order in chaos. He can, in a single poem, give at least 15 ways of changing personal, social, political darkness, including purification by fire. Though some are seemingly surreal, strange and new, your intellect tells you each line is someone’s reality at the core.”
Mary Rudge, author of Water Planet